![]() Dionysus is also, significantly, the god of right worship. The play's focus on virility is its primary Dionysian element, as Dionysus is associated with life, love, virility, and intoxication. Its nod to the classic, tragic form is that Serafina has a major flaw, like all tragic heroes. The play's comedy rests on its bawdiness and the way the characters get themselves into ridiculous fixes. The play synthesizes comedic elements, elements borrowed from ancient Greek tragedy, and elements that invoke ancient Greco-Roman celebrations of the god Dionysus. ![]() What this means is that it blends together distinct dramatic forms. ![]() What a close reading of the play suggests is that it is a mixed genre play. Serafina is characterized by her boastful pride, and the play's drama and humor revolves around whether she will learn humility. The drama chronicles events separated by three years in the life of its main character, Serafina Delle Rose. It is Williams's most light-hearted play, an homage, many say, to his beloved sister Rose and to Frank Merlo, whom Williams loved. ![]() Tennessee Williams's The Rose Tattoo was first staged in Chicago in 1950, premiered in New York City in 1951, and was a success with audiences.
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